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KOGAN IS A PHOTOGRAPHER AND GRADUATED IN GRAPHIC AND FINE ARTS. HIS EXPRESSION FORMS PART OF THE TREND TOWARDS TRANSFORMING ABSTRACT-INFLUENCED FIGURATIVE ART,RESULTING IN THE CONTEMPORARY ART.THE ARTIST REFUTES ANY SPECIFIC INFLUENCE,WORKING BY INSTINCT,DIRECTLY ON CANVAS,RELYING ON HIS SENSIBILITIES IN TERMS OF POETICS AND HUMOUR. ALL OF HIS WORKS REPRESENT AN ENVIRONMENT IN WICH HUMAN AND SPIRITUAL DIMENSION ARE PRESENT,AND SUCH DISPLAY THE ENIGMATIC AND EVER-CHANGING SIDE OF HUMAN NATURE. HE EVINCES AN INNOVATIVE COMBINATION OF COLOURS AND METAL,IN ADDITION TO INTERPLAY OF CANVAS AND PIGMENT,HIGHLIGTHING UNEXPECTED FORMS AND TEXTURES. THE ARTIST ACKNOWLEDGES NO DEBT TO THE CLASSIS ABSTRACT ART, TOUGH HE DOES INVITE THE ONLOOKER TO IMAGINE AND APPRECIATE PRESENT-DAY ART, IN THE TRANSLATION OF A GRAPHIC SEMIOLOGY AND A SYMBOLS FOREST, MUCH AS CONVENTIONAL ART COULD BE APPRECIATED IN THE PAST IN A RHETORIC OF THE IMAGE. Norbert de ROSNY.

Saturday 21 January 2017

DARK ANGEL


                                                                     George Redhawk




La grande beauté est plutôt à fuir qu'à rechercher dans le mariage ; la beauté s'use promptement par la possession, mais ses dangers durent autant qu'elles.
À moins qu'une belle femme soit un ange, son mari est le plus malheureux des hommes, s'il est délicat et sensible, et quand elle serait un ange, comment empêchera-belle qu'il ne soit entouré d'ennemis ?
Adolphe RICARD: L'amour, les femmes et le mariage (1857)


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