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KOGAN IS A PHOTOGRAPHER AND GRADUATED IN GRAPHIC AND FINE ARTS. HIS EXPRESSION FORMS PART OF THE TREND TOWARDS TRANSFORMING ABSTRACT-INFLUENCED FIGURATIVE ART,RESULTING IN THE CONTEMPORARY ART.THE ARTIST REFUTES ANY SPECIFIC INFLUENCE,WORKING BY INSTINCT,DIRECTLY ON CANVAS,RELYING ON HIS SENSIBILITIES IN TERMS OF POETICS AND HUMOUR. ALL OF HIS WORKS REPRESENT AN ENVIRONMENT IN WICH HUMAN AND SPIRITUAL DIMENSION ARE PRESENT,AND SUCH DISPLAY THE ENIGMATIC AND EVER-CHANGING SIDE OF HUMAN NATURE. HE EVINCES AN INNOVATIVE COMBINATION OF COLOURS AND METAL,IN ADDITION TO INTERPLAY OF CANVAS AND PIGMENT,HIGHLIGTHING UNEXPECTED FORMS AND TEXTURES. THE ARTIST ACKNOWLEDGES NO DEBT TO THE CLASSIS ABSTRACT ART, TOUGH HE DOES INVITE THE ONLOOKER TO IMAGINE AND APPRECIATE PRESENT-DAY ART, IN THE TRANSLATION OF A GRAPHIC SEMIOLOGY AND A SYMBOLS FOREST, MUCH AS CONVENTIONAL ART COULD BE APPRECIATED IN THE PAST IN A RHETORIC OF THE IMAGE. Norbert de ROSNY.

Wednesday, 28 December 2016

MAI 2017



“Au XXe siècle, les théoriciens de la démocratie recommandent “de mettre la masse à sa place”, de sorte que les hommes responsables” puissent “vivrent à l’écart du piétinement et des rugissements du troupeau dérouté”, des “marginaux ignorants qui fourrent leur nez partout”, dont le “rôle” doit se limiter à “assister en spectateurs intéressés aux évènements qui se déroulent”, sans vraiment y prendre part. Périodiquement, le temps d’une élection, ils doivent soutenir l’un ou l’autre membre de la classe dominante, pour retourner ensuite à leurs affaires privées.”
 [Noam Chomsky, L’An 501, la conquête continue, 1993]

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